(Red Deer
Advocate, December 15th, 2012.) Those people who enjoy the
killing scenes in movies and video games contribute to the culture that spawns
the deadliest, most horrific crimes. That is my little thesis here. It’s rather
a big one, actually. They support, in some way or other, the darker side of
culture when they enjoy the mortal bloodshed and manslaughter that is served up
by directors of movies and makers of video games. They spend money on this
darkness; and then they promote it by word-of-mouth.
Like me, you’ve probably read about this tragic news
both in print and online. When I went online to read about it, I was reminded
of something that can never be preached about too much: the connexion between
school shootings and media morals.
I scrolled through the news of this massacre rather
quickly because I could not bear to read too many details about the young lives
that had just ended so coldly, violently, and unjustly. When I got to the
bottom of the screen, here is what I saw: an ad featuring a celebrity starring
as the warrior, Thor. You can tell
just by the sinister atmosphere injected into this ad that the production
promises a lot of exciting, remorseless killing. So on the same page with the
news of this latest school shooting, there was an ad about free-for-all
killing. “What a connexion,” I thought, “and right there for everyone to see!”
Who can meditate for long on the terror these
children must have been in while waiting helplessly for their turn to get shot?
And yet we need to meditate on this in order to steel our resolve against the
trivializing of murder that goes on in video games and movies. We need to do it
in order to become advocates against murder as a trivial act that people get
pleasure from. I don’t mean that we should push for laws banning needless
violence in movies and video games. That would be impracticable and probably
unwise. Outlawing certain movies, games, or guns is not the answer. I mean that
we should make people aware of what they are watching in the hope that such
amusements will be shunned. Is watching pretend killing better than actually
doing something? Life can be more meaningful. There are better ways of spending
one’s time.
I’m no expert when it comes to movies and live
theater. But is it not true, generally, that in movies the actors kill and then
move calmly on, while in plays the actors are tormented by the act? You see,
we’ve come a long way by ‘pushing the envelope.’ Killing, in media like movies
and video games especially, is no more treated like the tragedy it really is.
If the pretence on the screen is that there is no grief in killing, that lesson
will get played out in the real world by disturbed, confused individuals. Life
imitates art, after all.
Hollywood actors (I’ll say generally just to be generous) do not
agree that there is a connexion between killing in movies and killing in real
life. They are illogical people, and they like it that way. But I will show,
anyway, that there is a connexion. No one would deny, probably, that movies
have contributed to women trading dresses and skirts for pants. That’s a moral
influence: a connexion between movies and real life. Whenever a famous actor
dons a certain look, movie-watchers copy. That’s where hip-huggers come from.
That’s a moral influence: a connexion between movies and real life. Moviegoers
gathered at the drive-in to watch Smoky
and the Bandit in the seventies. I was there. Guess what happened? There was
a lot of spinning, squealing, and speeding on the way out. Coincidence? No,
moral influence. Actors would no doubt agree so far. But they conveniently
begin to deny moral influence as soon as the copying runs into graver matters.
Ah! moral influence is caused only regarding matters about which they are
comfortable admitting the connexion! Their logic stops just before it
implicates them in an uncomfortable way. Their logic dare not proceed any
farther! They do not want to be tagged as real-life villains contributing to
the immoral, or amoral, society in which school shootings take place. Who will
blame them? A few of us will. And God does.
Quentin Tarantino was ‘very annoyed’ when Terry
Gross posed the question of a connexion to him. She asked him if he loses his
taste for movie-violence after a real-life massacre occurs. His answer: ‘not
for me.’ He would not watch something like The
Wild Bunch on the day in question, though, he says. What a mortified soul
he is! What are the causes of school shootings like this? His answer: ‘gun
control and mental health.’ Quelle
surprise. He forgot to include movies. What does bother him about movies? His answer: when animals are harmed
in the making of them. I guess he had to show sympathy somewhere after calling
‘revenge violence’ in films ‘fun’ and ‘cool.’ How does this director justify
all the violence in his films? He deceives himself by the lie of exaggeration.
His opinion is that real-life slavery-violence was a thousand times worse than
what he illustrates in Django Unchained. This
leaves him a lot of room, you see; he does not want to be chained by moral
restraint! He could have handled a lot more violence than he put in there, he
says. I guess we know what to expect from the envelope being pushed a little
farther down the line!
Mr. Tarantino says that what he tries to do in his
films is make ‘a mystic experience.’ Then he adds, “But it’s make believe.”
When your object is to give viewers a mystic experience in films that play up
killing but play down contrition or consequence for the act, there’s a very
good chance that you’ll meddle with someone’s head in a negative way. A mystic
experience is ‘an intimate knowledge of’ and ‘a direct communion with.’ Is it
safe to have multitudes in our midst getting intimate knowledge of casual
killing on a regular basis? Should our society be creating, encouraging, and
perpetuating direct communion with regretless slaughter? Violence in the real
world will result through mysticism of that sort.
Many are the contributing factors to school
massacres: the side-effects of antidepressant medication, and inferiority
complexes, for instance. But media morals, especially those communicated
through movies and video games, are partly, and maybe largely, to blame. There
is no question about it. The association is a logical one that we have proof
of. Regarding some of these school shootings, we’ve seen killers copy, nearly
to the letter (as it is written in the envelope that is pushed), the killing
sprees in the films they’ve been mystical with. And still the connexion is
denied!
“Moreover he burnt incense in the valley of the son of
Hinnom, and burnt his children in the fire, after the abominations of the
heathen whom the LORD had cast out before the children of Israel” (2
Chronicles 28.3.) I was passing through this area of the Bible just the other
day. The word is spoken of Ahaz, king of Judah, who was from the line of
David. What applications can we make from this today? Ours is a society that
sacrifices its children to the gods of modern culture. Every time you look at a
movie that shows a lot of killing you get thrilled by, you are burning incense
to these evil gods, and you have Ahaz for your father. Think about it. When is
killing in its proper context? Get familiar with the Bible. Look at the life of
David, for instance. Yes, his killing of Goliath is sensationally portrayed
with affecting words. But the passage does not excite merely. It comes with the
lesson that he who fights for God can bring down evil giants. And the larger context
shows (most notably in the Psalms) how tormented David was by this lifestyle of
war. “They also that seek after my life lay snares for me…For I am ready to
halt, and my sorrow is continually before me” (Psalm 38.12, 17.) Much of
David’s life was like this: ‘continually’ means more than a moment or two. And
David was a lover of many women. But David the playboy died ignominiously
enough, unable to make love to the fair virgin damsel who was slipped into bed
with him to warm him up (1 Kings 1.1-4.) When the Bible tells us of heroes but
leaves their sorrows, shames, and the ends they come to out of it, the stories
are briefly told (like when David’s mighty men are eulogized.) And we have the
larger Bible context to inform us that all men stand condemned for their faults
and that every one needs the grace of God and the Saviour whom God sent. A
violent film that thrills will leave you feeling empty afterwards. That is not
the result you get from reading killing scenes in the Bible. If anything, you
leave with serious thoughts being suggested to you. This is the case because
the Bible is the word of God. But it is also because killing, in the Bible,
comes with context. And the reader can feel it. We get more than blood and gore
in the Bible; we get knowledge of sin, warnings of judgment to come, and
appeals to repent and believe.
Through familiarity with the Bible, you can learn to
discern when killing, in media, is appropriately sketched or epitomized.
Hopefully, you will learn to discern that, and then be compelled also, to
search out the Saviour for the forgiving of your sins. Every person not saved
before entering the next world will be made to pass through a fire that has no
end. Or, to put it another way, he will not pass ‘through’ the fire, but be immersed
in it forever. Get yourself a Bible and read it, won’t you? Ask for the one
with the ‘thees’ and the ‘thous’ in it. That one should carry more conviction
to your soul.
Notice, finally, one last lesson from that verse
in Chronicles. What was done to heathen peoples of old can be done to us too.
The LORD casts off nations that sacrifice their children to the gods, whatever
those gods happen to be. Nation, sacrifice your children to gods like movies,
movie stars, television, television stars, the internet, and video games, and
the LORD’s mercy will withdraw from you. Is it not happening already? It has
been happening for some time. The LORD’s arm is getting shorter and shorter. He
is withdrawing more than extending at this time.